Along with the gulf saratoga (S. jardinii), the saratoga is also known as the Australian arowana (mainly by non-Australian aquarists) and barramundi, although the latter name is nowadays reserved in Australia for the unrelated Lates calcarifer.
This species is found in turbid waters and has a more restricted distribution than the other Scleropages native to Australia, Scleropages jardinii.
Like all Scleropages, S. leichardti is a long-bodied fish with large scales, large pectoral fins, and small paired barbels on its lower jaw. Each scale on its dark colored body has a red or pink spot; this feature distinguishes it from S. jardinii, which has several reddish spots on each scale in a crescent shape. S. leichardti is a slimmer fish than other Scleropages; a 90cm (35 in.) fish was weighed at only 4kg (8.8lbs.), compared to 17.2kg (38lb.) for a S. jardinii of similar length. The depth of its body is 23-25% of its Standard Length, and it has fewer fin rays than S. jardinii. It is a popular aquarium fish, although it will eat other fish, shrimp, yabbies etc., that are in the tank.
According to the 2010 census, Saratoga has a total area of 0.26 square miles (0.67km2), all land.
As of the census of 2010, there were 254 people, 102 households, and 66 families residing in the town. The population density was 940.7 inhabitants per square mile (363.2/km2). There were 124 housing units at an average density of 459.3 per square mile (177.3/km2). The racial makeup of the town was 98.8% White, 0.8% from other races, and 0.4% from two or more races. Hispanic or Latino of any race were 2.0% of the population.
There were 102 households of which 37.3% had children under the age of 18 living with them, 51.0% were married couples living together, 8.8% had a female householder with no husband present, 4.9% had a male householder with no wife present, and 35.3% were non-families. 30.4% of all households were made up of individuals and 15.7% had someone living alone who was 65 years of age or older. The average household size was 2.49 and the average family size was 3.14.
Ballet/ˈbæleɪ/ (French:[balɛ]) is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance form in France and Russia. It has since become a widespread, highly technical form of dance with its own vocabulary based on French terminology. It has been globally influential and has defined the foundational techniques used in many other dance genres. Becoming a ballet dancer requires years of training. Ballet has been taught in various schools around the world, which have historically incorporated their own cultures to evolve the art.
Ballet may also refer to a ballet dance work, which consists of the choreography and music for a ballet production. A well-known example of this is The Nutcracker, a two-act ballet that was originally choreographed by Marius Petipa and Lev Ivanov with a music score by Pyotr Ilyich Tchaikovsky. Ballets are choreographed and performed by trained artists. Many classical ballets are performed with classical music accompaniment and use elaborate costumes and staging, though there are exceptions to this. Most notably, American choreographer George Balanchine is known for his plotless neoclassical ballets which are often performed in simple leotards and tights without scenery.
Ballet is a 1995 American documentary film directed by Frederick Wiseman. It portrays rehearsals, choreography, performances, business transactions, and other day-to-day life of the American Ballet Theatre. Much of the footage dates from the 1992 season. It also includes scenes from the company's European tour, namely in Greece and Copenhagen.
Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a “classical” form. In ballet, the terms ‘classical’ and ‘romantic’ are chronologically reversed from musical usage. Thus, the 19th century classical period in ballet coincided with the 19th century Romantic era in Music. Ballet music composers from the 17th–19th centuries, including the likes of Jean-Baptiste Lully and Pyotr Ilyich Tchaikovsky, were predominantly in France and Russia. Yet with the increased international notoriety seen in Tchaikovsky’s lifetime, ballet music composition and ballet in general spread across the western world.
Until about the second half of the 19th century the role of music in ballet was secondary, with the main emphasis on dance, while music was simply a compilation of danceable tunes. Writing "ballet music" used to be a job for musical craftsmen, rather than for masters. For example, critics of the Russian composer Pyotr Ilyich Tchaikovsky mentioned his writing of ballet music as something demeaning.
SARATOGA SPRINGS — Given both the stylized form and the familiar content, it's almost surprising that Peter Martins' version of "Romeo and Juliet" packs such an emotional punch. Onstage Thursday afternoon at the SaratogaPerforming Arts Center, with repeat performances tonight and Saturday afternoon, the ballet skillfully taps into the universal, timeless elements of the classic tale, always leading with the visceral experience ... ....
SARATOGA SPRINGS, N.Y. >> While no other company matches the rich repertory of the New York CityBallet, no company commissions as many new ballets. At SPAC on Thursday night, NYCB glimpsed the future, dancing four works made in the past year, all plotless, all by choreographers 30 or under ... ....
SARATOGA SPRINGS – We've come to expect a lot from Justin Peck, New York CityBallet's resident choreographer, which is why his work can feel a little disappointing even when it's perfectly good. We want him to break ground all the time, which isn't really fair ... ....
There was barely a dry eye at the end of the New York CityBallet’s Thursday matinee performance of Prokofiev’s “Romeo and Juliet” at the SaratogaPerforming Arts Center... What made the day even more interesting is that Lovette was also the choreographer for “Not Our Fate,” which is her second ballet for the company and was premiered that night ... “Pulcinella” was classic ballet with a seamless stream of great steps....